It is a common warning for numerous people that jointly caring for a canine companion after a breakup is a terrible idea. Experts frequently claim such situations prevent former couples from moving forward, lead to scheduling chaos, lead to tension, and become annoying for all parties. Apparently, as a development fit for a direct-to-platform film, it reportedly leads to the dogs themselves to experience sadness.
While respecting the mental health of animals – pet parents observe their profound sensitivity. For a prime example in pet despair, simply recall a past film. There is little doubt that a dog such as Merv, a scruffy terrier type played by Gus the Dog, would have a hard time adapting to divided living arrangements. The idea of basing a full holiday film around this situation is sustainable seems a questionable prospect.A Familiar Formula
To its credit, Merv, the work of its screenwriters and directed by director Swale, never aspires to be deeper than a light film. This is a Christmas movie from a corporate studio – the depth remains surface-level. The plot is destined to be straightforward: former spouses Russ, played by Charlie Cox and Anna (Zooey Deschanel), realizing that their individual funk is matched by their dog's, embark on a uplifting getaway to a luxury pet hotel. Once there, as expected, they will undoubtedly rediscover the idea that they should reunite. The supporting cast – including a group of comedic actors – are crafted as eccentric, underutilized, or over-the-top. Its aesthetic has the quality of a streaming service original, with a Christmas setting that is obviously artificial – as seen in fake snow surrounding verdant foliage as North Carolina stands in for the Northeast.
Where the Film Shines
If these predictable parts come together into a pleasant experience hinges on the execution and one's taste for comfort viewing. Regarding the second aspect, Merv knows its audience – the kind who seek out for dog videos. Audiences receive a plethora of adorable dog montages. The primary selling point is the dog, and while this leads to some awkward editing between what the dog does and human reaction, the movie succeeds in showing walking sequences, pet moping, and, ultimately, pure puppy happiness.
The Human Element
The same praise cannot be applied for the human side of the story. Its style shifts uneasily between emotional depth, zany antics, formulaic romance, and physical comedy, not quite landing a single genre. No blame falls on Cox's performance, who is willing to embrace the humiliating and funny inherent in the bizarre setting. He brings a likable self-deprecation that offers much of the film's charm for this on-the-rocks couple. Zooey Deschanel, in her typical fashion, imparts a particular brand of eccentricity that will be to your taste or not. Her Anna comes across as a touch too detached, particularly when paired with Cox's heartfelt sincerity. (On another note, Merv himself manages acting depressed – he may not be a canine thespian of that caliber, he is still a very good boy.)
The story strives to give weight to the central romance for moments when the dog is absent – a regrettable choice, considering the title character is by far the best part of this film designed for charm. Unsurprisingly, it just about gets by. The catalyst for their separation would feel more grounded and mature with greater exploration and fewer direct statements. As it stands, Merv is gentle and pleasant, fulfilling every expected note. Crafting a story about dog co-parenting isn't a bad idea – but I wouldn't call it a stroke of genius.
- Merv premieres on the Amazon platform this December.
